The American Romance
* * * When I wrote, there was little understood, by readers generally, in respect to the character of the red men; and, of the opinions entertained on the subject, many, according to my own experience, I knew to be incorrect. I had seen the red men of the south in their own homes, on frequent occasions, and had arrived at conclusions in respect to them, and their habits and moral nature, which seemed to me to remove much of that air of mystery which was supposed to disguise most of their ordinary actions. These corrections of the vulgar opinions will be found unobtrusively given in the body of the work, and need not be repeated here. It needs only that I should say that the rude portraits of the red man, as given by those who see him in degrading attitudes only, and in humiliating relation with the whites, must not be taken as a just delineation of the same being in his native woods, unsubdued, a fearless hunter, and without any degrading consciousness of inferiority, and still more degrading habits, to make him wretched and ashamed. My portraits, I contend, are true to the Indian as our ancestors knew him at early periods, and as our people, in certain situations, may know him still. What liberties I have taken with this subject, are wholly with his mythology. That portion of the story, which the reverend critics, with one exception, recognized as sober history, must be admitted to be a pure invention.
You will note that I call “The Yemassee” a romance, and not a novel. You will permit me to insist upon the distinction. I am unwilling that the story shall be examined by any other than those standards which have governed me in its composition; and unless the critic is prepared to adopt with me those leading principles, in accordance with which the book has been written, the sooner we part company the better.
* * * The Romance is of loftier origin than the Novel. It approximates the poem. It may be described as an amalgam of the two. It is only with those who are apt to insist upon poetry as verse, and to confound rhyme with poetry, that the resemblance is unapparent. The standards of the Romance * * * are very much those of the epic. It invests individuals with an absorbing interest---it hurries them rapidly through crowding and exacting events, in a narrow space of time---it requires the same unities of plan, of purpose, and harmony of parts, and it seeks for its adventures among the wild and wonderful. It does not confine itself to what is known, or even what is probable. It grasps at the possible; and, placing a human agent in hitherto untried situations, it exercises its ingenuity in extricating him from them, while describing his feelings and his fortunes in his progress. The task has been well or ill done, in proportion to the degree of ingenuity and knowledge which the romancer exhibits in carrying out the details, according to such proprieties as are called for by the circumstances of the story. These proprieties are the standards set up at his starting, and to which he is required religiously to confine with himself.
“The Yemassee” is proposed as an American romance. It is so styled as much of the material could have been furnished by no other country. Something too much of extravagance---so some may think,---even beyond the usual license of fiction---may enter into certain parts of the narrative. On this subject, it is enough for me to say, that the popular faith yields abundant authority for the wildest of its incidents. The natural romance of our country has been my object, and I have not dared beyond it. For the rest---for the general peculiarities of the Indians, in their undegraded condition--- my authorities are numerous in all the writers who have written from their own experience. * * *
“The American Romance”
By William Gilmore Simms
Read by Tom Turner
Directed by Walter Evans
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